Are you ready to light up the night? Strut & Fret, the creative force behind some of your favourite shows, is about to unveil its most electrifying project yet: The West End Electric.
Strut & Fret, a global production powerhouse known for its innovative and immersive experiences, has chosen to build its permanent Brisbane home in the West End. After the overwhelming success of their Sydney theatre, The Grand Electric, the company felt it was time to create something special in their hometown.
“Brisbane is where Sarah Stewart and I founded Strut & Fret in 1997. It’s also our home city, where we grew up and where I still have a home,” said Creative Director and Company Founder, Scott Maidment. “We staged our first Brisbane Festival production over 25 years ago in 1998, so it feels very fitting to launch The West End Electric with this year’s festival.”
The custom-designed venue, boasting a capacity of over 400 seats, will open its doors on 29 August, coinciding with the start of the Brisbane Festival. The inaugural performance will be Strut & Fret’s smash-hit circus-cabaret spectacle, LIMBO – THE RETURN. This awe-inspiring show, inspired by the company’s original LIMBO, which captivated Madonna not once but twice, features a mesmerizing blend of fire-breathing, gravity-defying acrobatics, sophisticated cabaret acts, and a generous flow of cocktails.
Maidment, brimming with excitement, shared his anticipation for the opening: “When we open in August, Queensland audiences will see sparks fly! This is a high-powered extravaganza that will leave you gasping for air and begging for more. Chances are you’ll want to see it twice, too!”
With its unique blend of cabaret, circus, and cocktails, The West End Electric is poised to become a must-visit destination for locals and tourists alike, adding a vibrant new chapter to Brisbane’s thriving arts scene.
West End has a fresh face on the dining scene with the opening of Gum Bistro, an intimate 40-seat restaurant showcasing honest, produce-driven cooking.
Occupying the former Pasta Club space on Boundary Street, Gum Bistro is the creation of chef Lachlan Matheson and sommelier Phil Poussarts, both alumni of the acclaimed Pasta Club.
The reimagined space has undergone a brightening makeover with white-painted panels, pops of greenery, bespoke stamped napkins and local artwork lending a cosy, considered ambience. But the real star is the concise, MetCommets focused menu.
Matheson’s seasonal cuisine allows quality local produce to take centre stage, be it the textbook duck liver parfait with Riser sourdough or the cold squid salad with fennel, chicory, and lemon to start. Standout mains include the vegetarian-friendly vegetable pot pie and the crowd-pleasing sweet corn agnolotti pasta.
While expertly crafted cocktails named after guitar riffs are available, oenophiles will be eager to explore Poussarts’ curated wine list during their visit. The experienced sommelier has sourced an interesting array of rare finds and varieties during previous tenures at esteemed spots like Pilloni, Essa and Hobart’s Fico.
With its intimate, welcoming ambience, locavore sensibilities and intriguing wine program, Gum Bistro looks poised to become a West End dining destination for honest, flavourful cuisine. Reservations are recommended to secure a table at this hotspot.
Two Queensland mothers who tried to steal $83,500 from the superannuation nest eggs of eight hardworking Queenslanders during the Covid-19 pandemic, by assuming their identities using personal information from a laptop stolen in West End, have walked free from court on good behaviour bonds in 2024.
The guilty parties, two women aged 45, appeared at the Brisbane District Court on Tuesday, the 28th of May 2024, where they admitted to three charges each related to the fraud.
The court heard that the pair were able to try to steal the superannuation by using personal information, including bank details, found on a laptop stolen from 3D Stone in West End in 2017.
Later, these details were used with prepaid phones and mygov accounts to try to rip off Queenslanders by faking applications under the Early Release Superannuation program, which was designed to provide cash for those facing financial hardships amid the coronavirus pandemic. They tried to steal a portion of the superannuation funds by assuming other people’s identities, with victims telling the court they suffered emotional trauma and serious inconvenience.
The pair admitted to dealing with identification information that involved using a carriage service and influencing a Commonwealth public official.
Judge Deborah Holliday KC, in sentencing, said the crimes were “serious” and the pair were only stopped from pocketing the cash due to anti-fraud protections by banks and super funds, and the proactive response by some of the victims. Ultimately, they only obtained $2,000.
Crown Prosecutor Clare O’Connor described the fraud as “cynical” and submitted that the pair should serve jail time and that offenders must be deterred. She stated they could not say “exactly what either of them did” in the fraud, considering them both as “principal offenders” for sentencing purposes.
Defence counsel Damien Walsh said his client was remorseful and had written a letter of apology to the court. Colin Reid said his client was a mother of three who had pleaded guilty 16 months ago and had the case hanging over her head.
The pair were both sentenced to two years’ prison, wholly suspended upon entering into a $1,000 good behaviour bond for two years and serving one year’s probation. The court heard that if they breach the conditions of the bond, they may be required to pay the $1,000.
A cluster of vintage shops are drawing locals and tourists alike with their carefully curated collections of pre-loved fashion gems. From Y2K staples to retro cowboy boots, West End has become a go-to destination for vintage shopping. Let’s explore five of West End’s must-visit vintage havens.
With locations in West End and the CBD, SWOP is an iconic part of Brisbane’s secondhand scene. This longstanding boutique doesn’t just resell any old clothes — their experienced buyers hand-select each item from particular brands and eras. Browsing the racks, you’ll find current designers alongside vintage statement pieces meticulously assembled under one roof.
Step off bustling Burnett Lane into this cosy vintage cave housed in an ambient CBD arcade. With 17 sellers contributing their prize picks, Memory Lane overflows with an eclectic, ever-changing array of 80s, 90s and Y2K clothing and accessories from beloved brands like Juicy Couture and Nike. Keep an eye out for rare branded gems.
Tucked away on Vulture Street, Brik Market lives up to its name as a sprawling permanent marketplace focused on Y2K vintage fashion. Over 10 sellers combine forces to fill every nook and cranny of the space with racks upon racks of 90s crop tops, joggers, mini bags and more from that iconic era of stylish insouciance.
This long-running vintage haunt is a West End institution for graphic tees, jumpers, and all things 90s menswear and womenswear. Climbing the stairs, you’ll find seemingly endless racks devoted to each category, making it a surefire stop for vintage tee connoisseurs. With an entire floor dedicated to women’s vintage, fashionistas can easily lose an afternoon exploring.
Neo-Generalist is an undisputed haven for vintage footwear, especially coveted cowboy boots. In addition to the outstanding boot collection, you’ll find an eclectic, highly curated array of vintage clothing and accessories from decades past alongside modern indie brands.
For shoppers seeking unique, sustainable fashion or just the thrill of scoring an exceptional vintage find, West End’s tight-knit community of vintage shops make it one of Brisbane’s premier destinations for stylish step back in time.
Scammers tried to dupe a West End advertising executive into investing in cryptocurrency through a fortunately unsuccessful scam that used AI to clone the voice of Steven Miles.
The incident unfolded when Dee Madigan, a seasoned advertising executive and creative director who runs Campaign Edge along Victoria St, received a message on social media, purportedly from Mr Miles. Aware of the deceptive nature of the contact due to her longstanding friendship with the premier, Ms Madigan decided to engage with the scammer for amusement during a period of isolation at home due to COVID-19.
The scammer, operating under a fabricated profile on the social media platform X, formerly known as Twitter, quickly steered the conversation towards financial investments.
Ms Madigan, playing along, expressed interest but feigned difficulty in setting up a trading account to stall the scammer. Despite her refusal to set up the account, she received an unexpected phone call, where she heard what seemed to be Mr Miles’s voice, discussing busy schedules and investment talks.
Technological Manipulation
This impersonation was facilitated by AI voice cloning technology advancements that can create convincing replicas of a person’s voice with minimal audio samples. While sounding like Mr Miles, the conversation had peculiar inflections that hinted at its artificial origins.
The situation escalated with the scammer sending Ms Madigan a voice message via Telegram, apologising for the hurried conversation and promising future contact regarding the investment. This interaction highlighted the eerily realistic quality of the cloned voice, which could easily deceive individuals unfamiliar with such technology.
Upon learning about the misuse of his voice, Ms Miles expressed his dismay, confirming his non-involvement in any investment advisories, especially in cryptocurrencies. He emphasised the importance of vigilance against scams, especially with the approaching October election, urging the public to rely on credible sources for information and report suspicious activities to scamwatch.gov.au.
Consumer advocacy groups and cybersecurity experts have echoed these concerns, indicating a likely increase in AI scams. They advise the public to be particularly cautious, as the technology used in these scams can also replicate the voices of family members or friends in distress, a tactic aimed at bypassing the emotional defences of potential victims.
The Broader Impact of AI Scams
The misuse of AI scam is not limited to voice cloning. There have been instances of deepfake videos that manipulate public figures’ likenesses to create misleading or harmful content. This growing trend underscores the dual-edged nature of technological advancements, where significant ethical and security challenges counterbalance the benefits of AI.
Experts argue that while the technology is here to stay, public awareness and regulatory measures must be strengthened to protect individuals from these sophisticated scams. Integrating AI into everyday interactions means that people need to be more discerning and cautious, reinforcing personal security measures to combat these emerging threats.
As the days grow shorter and the evening chill descends, the West End community is gearing up to celebrate the winter solstice with a one-night-only transformation of their beloved markets.
On Friday, the 14th of June 2024, Davies Park will become a vibrant hub of festive activity, featuring over 120 food, drink, and artisan stalls, two stages of live music, mesmerising fire twirlers, and cosy bonfires.
This special edition of the West End Markets promises a unique experience for visitors of all ages.
Foodies can indulge in an array of culinary delights from local favourites like Best of the Wurst, Street Eatz, Choco Bliss, and Tea & Pearls. Meanwhile, craft enthusiasts can browse a diverse selection of artisanal wares while enjoying live music and captivating performances.
For those seeking warmth and cheer, the Stone & Wood pop-up bars will be serving glühwein, a traditional spiced wine perfect for a chilly winter’s night.
With free entry and parking, the West End Solstice Market offers an accessible and enchanting way to embrace the changing season.
The festivities will kick off at 4:00 p.m. and continue until 10:00 p.m., providing ample opportunity for attendees to explore the market’s offerings, soak up the vibrant atmosphere, and celebrate the longest night of the year in true West End style.
This comes after a developer has lodged plans for a seven-storey apartment building containing 42 upscale units at 28 Beesley Street.
The proposed development by Tocu Properties aims to meet the growing demand for high-quality residential accommodation in the trendy West End neighbourhood.
Photo credit: Woods Bagot
Designed by acclaimed architects Woods Bagot, the proposed townhouse complex offers a mix of two and three-bedroom layouts, with some apartments including a separate study for added flexibility.
“This project represents an exciting opportunity to enhance the residential offerings in the vibrant West End community, combining luxury living with the convenience of urban life,” the developers stated in the planning documents.
Future residents could enjoy an amenity-rich lifestyle with the entire 656 square metre rooftop devoted to communal open space. Proposed features include an infinity edge pool, hot and cold pools, barbeque areas, open lawns, and unobstructed views of the Brisbane CBD, South Bank, and Brisbane River.
Photo credit: Woods Bagot
To accommodate the influx of residents and visitors, the complex will provide 59 parking spaces, 3 of which are designated for guests.
The 1,648 square metre lot at 28 Beesley Street is positioned as one of the last prime infill sites in West End’s increasingly built-up urban landscape.
“Along Filmer Street, the building’s architecture is highly varied and articulated. These details have been discussed previously and include the curved balconies, large expanses of floor to ceiling glazing, a terracotta-look spandrel which frames each level and feathered batten screening between adjoining units,” planners stated.
Nearly $200,000 in grants have been awarded to 19 artistic groups and individuals through the Creative Sparks Grants program, with four of these recipients located in West End.
The Creative Sparks Grants aim to invigorate the local arts scene by funding a diverse array of projects. The grants provide up to $10,000 to support creative endeavours across the suburbs, from theatrical productions and dance to circus performances and live music.
This influx of funding, from Brisbane City Council in partnership with the Queensland Government through Arts Queensland, is expected to enhance Brisbane’s lifestyle offerings, increase job opportunities, attract tourism, and strengthen the community’s cultural fabric.
West End, in particular, has seen a significant boost with several notable projects:
Egan Kingsley Sun-Bin is preparing for the Australian premiere of “Scenes from a Yellow Peril” by Nathan Joe, focusing on a week of rehearsals for BIPOC performers and creatives, supported by a grant of $10,450.
Lewis Treston collaborates on “The Light in the Sahara” with director Sanja Simić and actor Christen O’Leary, developing a new Australian work slated for a November 2024 showcase at Metro Arts, with a funding of $11,000.
Peter Thornley’s “Ancient Echoes: Old Lore & Young Bloods” empowers First Nations youth through music and performance, celebrating Indigenous culture with a grant of $9,020.
Emma Churchland revisits the camp spectacle “CAKE” at Metro Arts, offering an enriching experience to both audiences and early-career artists with a grant of $11,000.
“These grants allow our talented industry professionals to deliver exciting works that create more jobs, attract further tourism, and improve our creative communities. We look forward to seeing what inspires the next wave of Creative Sparks alumni as they bring more creative offerings to our suburbs.”
West End’s recent surge as a dining destination continues with the much-anticipated opening of Gum Bistro. This charming newcomer, run by a savvy young duo, promises big flavours, warm service, and a whole lot more.
Chef Lachlan Matheson, and Mr Phil Poussart, the sommelier, are both industry veterans with a clear vision for their first foray into restaurant ownership. Their focus? Providing a welcoming space that goes beyond just serving food.
Gum Bistro’s appeal is undeniable. The light-filled space, adorned with local artwork, boasts a relaxed and inviting atmosphere. The menu, crafted by Lachlan, champions fresh Queensland produce, with dishes ranging from playful snacks to hearty share plates like duck-liver parfait with native tamarind and brawn, or sweetcorn agnolotti with crema di parmigiana.
For a larger offering, there’s cabbage-wrapped cobia with zucchini and creme fraiche, or Margra lamb rump with sweetbread, beans, and radicchio. You can check out the updated menu here.
On the beverage side, Phil curates a diverse wine list, with options ranging from budget-friendly to vintage treasures. Signature cocktails, featuring ingredients straight from the kitchen, round out the offerings. More beverage options are on their menu here.
With plans to expand to lunch service and potentially even earlier weekend hours, Gum Bistro is quickly becoming a beloved local haunt. It’s a place where West End’s diverse crowd—from architects to students—can gather for a memorable and enjoyable dining experience.
Prepare to be dazzled as Metro Arts unleashes Dance24, a thrilling dance extravaganza set to electrify Brisbane’s West End! Get ready to immerse yourself in an exciting lineup of talks, seminars, performances, and networking galore.
Dance24 will ignite Brisbane’s West End with a burst of creativity from May 22nd to June 1st, 2024. Its foundation is a dedication to presenting a diverse range of dance expressions, with a focus on Queensland’s emerging talent. Two highly anticipated world premieres are included in the festival’s mainstage programme: Olivia Adams’ “Matriarchs” and Amy Zhang’s “Gameboy”.
Photo Credit: Website/ Metro Arts
“Matriarchs” explores the historical accounts of Indigenous femininity and provides a close-up look at the real-life experiences of earlier First Nations women. Olivia Adams, a budding Indigenous artist whose outstanding resume includes work with Bangarra Dance and performances for Karul Project, highlights her distinct viewpoint in this moving modern piece.
In contrast, “gameboy” explores issues of endurance and rivalry through the use of video games, internet culture, and Japanese game shows as inspiration. Prominent dancers William “Billy” Keohavong and Ko Yamada bring Amy Zhang’s vision to life on stage as she explores the nuances of online persona and real-world decision-making in this piece.
Join DANCE24 at Factory Lane for their Community Connect mixer to kick off your Friday night on a high note. Come to a special event that Wanida Serce and Metro Arts are hosting to network with other artists and dance enthusiasts.
This event guarantees to start your weekend in style, whether you’re making new connections or renewing acquaintances in the industry. Take advantage of this fascinating feature of DANCE24, the experimental dance event that takes place from May 22 to June 1.
KIM SMIT HEELS CHOREOGRAPHY
Photo Credit: Website/ Metro Arts
Come to Metro Arts Studios for an exclusive masterclass on heels choreography featuring Kim Smit. Kim has eight years of professional dancing experience in Australia, Europe, and the USA.
She has performed on stages with well-known performers, including Natti Natasha, TYGA, and Kehlani. Explore the nuances of heels foundation, technique, and choreography intended for dancers with intermediate to advanced skills.
Upgrade your abilities with this exceptional chance to pick the brain of an accomplished expert. a component of the avant-garde dance festival DANCE24, which takes place from May 22 to June 1.
BOLLYWOOD MASALA
Photo Credit: Website/ Metro Arts
Experience the vibrant world of Bollywood dance with Drea Lam, Director of Dance Masala and creator of ITEM, in a lively workshop at DANCE24. Dive into the heart of Bollywood’s energetic rhythms and dynamic movements as you learn typical Masala Bollywood dance steps.
From action-packed sequences to heartfelt romance, Bollywood movies offer a unique blend of genres, and this workshop captures the essence of it all. Don’t miss your chance to groove to catchy tunes and immerse yourself in the excitement of Bollywood dance during this special event at DANCE24, part of an experimental dance festival running from May 22nd to June 1st.
Dance24 is about more than simply career advancement; it’s also about community involvement. While events like Studio1’s Sandpit and Exchange offer a behind-the-scenes look into the creative process, weekly mixers give artists and dance aficionados alike the chance to network and create in a dynamic setting.
“Dance24 is a joyful celebration of Queensland’s richness and diversity in dance,” as Genevieve Trace, Executive Director of Metro Arts, so eloquently puts it.
Whether you’re an experienced performer, an inquisitive viewer, or just someone who enjoys moving, Dance24 extends an invitation to you to experience the wonder of dance and learn about all the opportunities it presents.
