West End Cottage Renovation Emphasises Garden Connection

A West End cottage has been thoughtfully transformed through a renovation that prioritises garden preservation and modest spatial intervention. The project, completed by Vokes and Peters, demonstrates an alternative to large-scale residential extensions.

Photo Credit: Vokes and Peters


Photo Credit: Vokes and Peters

The renovation began with necessary structural repairs after the discovery of termite damage and undersized joists in the original cottage. This initial setback led to a two-year pause in construction, during which the owners developed the garden space, establishing a circular terrace and southern trellis.

Photo Credit: Vokes and Peters

The final design maintains a compact 101-square-meter footprint on the 486-square-meter site. Key features include a new garden room with full-height hinged screens, a triangular atrium bringing northern light into south-facing rooms, and a relocated kitchen that connects the original living space to the new addition.

Photo Credit: Vokes and Peters

Materials selected for the project include Linea weatherboards finished in Deep Brunswick Green, custom timber window frames by Duce Timber Windows and Doors, and Endicott crazy paving for external elements. The interior features a combination of radiata pine boards and plasterboard with carefully selected finishes.

Photo Credit: Vokes and Peters


Photo Credit: Vokes and Peters

The project was completed in seven months following a six-month design and documentation phase. Located on the traditional lands of the Turrbal and Jagera people, the renovation provides a case study in measured architectural intervention in Brisbane’s inner-city suburbs.

Published 30-January-2025

Historic West End ‘Toonarbin’ Faces Significant Renovations

The owners of Toonarbin, one of West End’s oldest heritage-listed homes, have submitted plans to Brisbane City Council for significant renovations aimed at updating and protecting the historic structure.

Photo Credit: Development.i / A006575180


Photo Credit: Development.i / A006575180

Located on Dornoch Terrace, Toonarbin dates back to the 1860s and is believed to be the work of English designer Benjamin Backhouse. The property has a rich history, having served as a private residence, a convent, and now again as a private home.

Photo Credit: Development.i / A006575180

Key elements of the proposed renovations include a new copper barrel vault awning with a domed edge at the front of the building, a new balcony at the rear hidden from street view, and replacing upper floor windows with doors. The rear balcony is specifically designed to protect the vulnerable south-western corner from water infiltration.

Photo Credit: Development.i / A006575180

The owners have engaged Mark Williams Architects to design the additions, which are primarily intended to address ongoing weather-related issues threatening the building’s structural integrity. Documents filed with the council reveal that despite the owners’ best efforts, water infiltration continues to pose a significant risk, particularly to timber components in the south-western corner.

Photo Credit: Development.i / A006575180

A heritage assessor’s report included in the application acknowledges that the proposed changes are partly designed to protect the building from the elements and could be reversed in the future. The report states that the new copper dome “will not be conspicuous, yet will be clearly legible as a later addition,” while the new balconies are described as “light and open” and will not obscure the facade.

Photo Credit: Development.i / A006575180

The property, which was sold for $4.1 million in 2007, currently features nine bedrooms and three bathrooms. The proposed renovations aim to modernise the structure while preserving its historical significance.

Photo Credit: Development.i / A006575180


As the plans are now before Brisbane City Council, it remains to be seen how these proposed changes to one of the city’s most significant heritage properties will be received.

Published 28-July-2024

Queensland Ballet Returns to the New Thomas Dixon Centre

Queensland Ballet has returned home to the heritage-listed Thomas Dixon Centre in West End. The building has just completed a multi-million-dollar renovation which commenced in August 2019.



Queensland Ballet returned to its home for the past three decades in July 2022, celebrating the opening of the brand-new Talbot Theatre with its season opener, “Bespoke.”

Talbot Theatre
Talbot Theatre | Photo Credit: Thomas Dixon Centre / thomasdixoncentre.com.au

The new theatre is part of the $100-million redevelopment of the Thomas Dixon Centre.

Aside from the new, 350-seat Talbot Theatre, the 110-year-old building now boasts six dance studios, a costume workroom, a wellness centre, a gym, and stunning public art.

 Kite Terrace
Kite Terrace |  Photo Credit: Thomas_Dixon_Centre / thomasdixoncentre.com.au

It also features Kite Terrace, a rooftop bar that offers amazing city views and a central promenade.

“The redevelopment of this historic building is a truly transformational moment for the arts in Brisbane. More than an incredible home for Queensland Ballet, the new Thomas Dixon Centre – as a centre for culture and community – will impact the Brisbane artistic landscape for years to come.” –  Queensland Ballet’s fifth Artistic Director, Li Cunxin AO

About Thomas Dixon

Thomas Coar Dixon
Thomas Coar Dixon| Photo Credit: Thomas_Dixon_Centre / thomasdixoncentre.com.au

Thomas Coar Dixon was a leather tanner who arrived in Australia in 1866 from Yorkshire, England. He then moved to Queensland in 1869 from New South Wales and established a small tannery in Hill End (now known as West End) in 1873. He also went on to purchase the land on which his tannery sits.

Thomas Dixon Centre with plaque that reads “Established 1873” | Photo Credit: Thomas Dixon Centre
Thomas Dixon Centre with plaque that reads “Established 1873” | Photo Credit: Thomas_Dixon_Centre / thomasdixoncentre.com.au

In 1906, Dixon purchased the land bounded by Montague Road, Raven Street and Drake Street to establish a new factory. He commissioned architect Richard Gailey to design the two-storey red brick building.

The factory is now known as the Thomas Dixon Centre. It opened on 11 April 1908. Dixon died a year later.



Upon Dixon’s death, his sons took over and continued the business which was later registered as Thomas C. Dixon & Sons Limited. In 1973, the business moved to Wacol where it faced tough competition from cheaper vinyl imports and then closed down after seven years. 

Thomas_Dixon_Centre
Photo Credit: Thomas_Dixon_Centre / thomasdixoncentre.com.au

The Queensland Government acquired the centre in 1975 and converted it into a storage facility. The building then underwent refurbishing in 1991 to serve as the home of Queensland Ballet, Queensland Philharmonic Orchestra and the Queensland Dance School of Excellence.

The Thomas Dixon Centre entered the Heritage Register in 1998.